The Phase Distortion amount can be modulated, delivering extremely satisfying, crunchy harmonics, especially when used to process a harmonically complex input from the Mapping Generator. For example, selecting Saw and Square and turning the Phase Distortion parameter all the way up will transform an incoming sine wave into alternating saw and square shapes. Next up is Phase Distortion, which basically works like a waveshaper, giving the user the ability to select two waveforms that each shape alternate cycles of the incoming signals. This offers a variety of modes including linear and relative FM and a Phase parameter, which can be assigned to Gate, Random (emuating free-running analogue oscillators) or an alternative free-running mode called Catch, where each voice gets its phase from the end of the previous note. The oscillator panel also features a dedicated section for Phase Modulation (more commonly - if erroneously - known as Frequency Modulation). The 5 Hertz range is particularly useful, making it possible to create detuned sounds that beat together at a constant rate, no matter what pitch the triggering note is at. There's also a fine tune knob, the range of which can be set to Cents, 5 Hertz, Beats or Multiply, the last multiplying or dividing the frequency by a constant value. You can also set a fixed pitch in Hertz and even sync the oscillators to the host tempo in Clocked mode.Īs well as their versatility in terms of general pitching, these modes come in very handy when using the oscillators as FM modulators. The pitch section enables transposition of each oscillator by not only Semitones but also Overtones (harmonics) and Undertones (sub-harmonics). The waveform of each is a cosine by default, but you can switch the signal to either of the synth's two editable Mapping Generators.
U HE DIVA SALE CRACKER
If there's no R2R and other cracker teams I as many would have never considered and end up buying any audio software.This all comes together in a fun, creative environment for less experienced synth programmers, and an awesomely powerful tool for pros.īazille's four oscillators are ridiculously flexible.
Of course, the other unhonest bastards who use warez to make money deserve to be sued. Most importantly, those who use it to do real music ALWAYS buy, those who never buy are mostly just little warez collectors who keep refreshing warez sites 24/7 and know nothing about music. Since your products are awesome, you have nothing to lie or hide, this kind of advertising just filtered the liars out of the competition. It did help in a way of advertising your products, HONEST advertising. Heckmann, what R2R have done to you and your company is for sure not pure damage. Kudos to U-He team and thank you so much R2R and Horsemen for bringing this to us. Totally agreed! I'm not a synth guy but Diva sounds so nice! Saving for buying this one now and this synth may be the only PURE synth that I end up buying (well, I know Omnisphere does pure synth as well though). Team R2R has open up their INTERNAL Vault for the hoildays The essence of 7 or 8 vintage synths for about 1% of the cost Resizable editor window, alternative skins available shortly Multithreading support for modern CPUs - more polyphony, less overloadĮven bigger library of gorgeously organic presets The behaviour of zero-delay-feedback filters when pushed to the limit clearly demonstrates the advantages of this groundbreaking approach.
U HE DIVA SALE SOFTWARE
This comes at the cost of quite a high CPU-hit, but we think it was worth it: Diva is the first native software synth that applies methods from industrial circuit simulators (e.g.
Modules can be mixed and matched so you can build hybrids, but what sets DIVA apart is the sheer authenticity of the analogue sound. The oscillators, filters and envelopes closely model components found in some of the great monophonic and polyphonic synthesizers of yesteryear. DIVA - Dinosaur Impersonating Virtual Analogue Synthesizer